This has been something I've considered and thought long and hard about for over a year. But then I was forced out of my comfort zone when a CEO out in Los Angeles contacted me and asked for a short style consultation. I'm thankful that he did.
Surprisingly I'm a quiet person, shy around folks I don't know very well. But that consultation session was so comfortable and enjoyable that I decided to finally open it up as an option. I'm coming out of my shell.
So here it is. The Houndstooth Kid is now offering either 30 minute or hour-long style consultations via phone, online (Skype, etc.), or even in person if you are local. Do you have questions about vintage style or just men's style in general but don't know where to start or don't have enough time to research yourself? Do you need advice about what to wear to your wedding, how to dress your groomsmen, what to don for a formal event or for any other event for that matter? You've come to the right place.
You can take advantage of Will's vintage expertise and style with a one-on-one consultation where you ask whatever questions you want.
You can order a style consultation either through the Houndstooth Haberdashery or by contacting Will and requesting a session via the following email address: houndstoothkid@hotmail.com. You will be contacted by Will to set up a date, time, method of correspondence, and the topics and questions you wish to discuss. You will receive a questionnaire and a receipt for both your payment and the consultation via email.
Showing posts with label style. Show all posts
Showing posts with label style. Show all posts
Wednesday, April 2, 2014
Monday, March 24, 2014
Let the New Wave Begin...
There's a new wave of vintage items arriving for sale at the Houndstooth Haberdashery. There'll be some very nice pieces coming up within the next two weeks or so for all sizes, styles, and price ranges.
Beginning this next wave strong are two beautiful hats in size 7 1/2.
First is a 1930s slightly 'fuzzy' "University Club" fedora with some gorgeous proportions: a tall, straight-sided crown with a fairly narrow yet shapely brim. Just the way I like 'em. This one has no issues at all. As near perfect condition as an 80ish year old hat can get. Feast your eyes upon this hat, which can be found for sale by clicking here.
Beginning this next wave strong are two beautiful hats in size 7 1/2.
First is a 1930s slightly 'fuzzy' "University Club" fedora with some gorgeous proportions: a tall, straight-sided crown with a fairly narrow yet shapely brim. Just the way I like 'em. This one has no issues at all. As near perfect condition as an 80ish year old hat can get. Feast your eyes upon this hat, which can be found for sale by clicking here.
click images to enlarge
Now that we have you drooling, check out the next contestant. It's a 1940s Stetson homburg in black, perfect for that dinner suit you've been dying to wear but didn't because you lacked the right hat. It's in very nice condition (for being 70ish years old) with only a couple very minor issues that won't keep you from wearing it right out of the box.
Don't miss out on these two spectacular hats. These kind of quality hats in this size are getting harder to find. Get your dapper on!
Labels:
fashion,
fedora,
haberdashery,
hat,
homburg,
houndstooth,
sale,
Stetson,
style,
University Club
Sunday, September 22, 2013
Palm Beach: the Summer Fabric
Palm Beach was a famous brand that created a uniquely blended fabric for warm weather wear. It was very popular during the Golden Era (before dying out in the 1950s) because it offered men one of the best and most stylish ways to stay cool in the heat while wearing a suit.
What was Palm Beach fabric? It was a warm weather blended fabric created in the late teens/early 1920s. The blend was kept secret and is still up for debate, but general consensus is that it's a blend of linen, mohair, and, added in the mid-1950s, rayon and nylon. One 1950s Palm Beach material tie is tagged with the following blend:
click to enlarge images
What was Palm Beach fabric? It was a warm weather blended fabric created in the late teens/early 1920s. The blend was kept secret and is still up for debate, but general consensus is that it's a blend of linen, mohair, and, added in the mid-1950s, rayon and nylon. One 1950s Palm Beach material tie is tagged with the following blend:
50% rayon
32% mohair
12%cotton
6% nylon
It should be noted that this is a later blend after Palm Beach was sold by Goodall in 1953. The previous original blend did not contain rayon nor nylon. While the Palm Beach fabric died in the 1950s, it should not be confused with the Palm Beach brand, which existed separate from the fabric from the 1950s up to at least the 1980s if not later. After the 1950s the Palm Beach brand name was just that: a name. Unimpressive wool and polyester Palm Beach brand suits and jackets litter thrift shops across the country; these later garments share no heritage to those made out of true Palm Beach fabric.
I was able to pick up a Palm Beach suit the other day. Surprisingly it fits me pretty well. It has stains throughout but I'm currently working on them.
The interesting thing about this suit is that the two pieces are not original to each other. If you look at the photo of the jacket above you'll notice by the low button stance, highly padded shoulders, and very generous lapels that this jacket dates from the Bold Look, or the mid-1940s to the early 1950s. It dates from before the Palm Beach name was sold by Goodall in 1953 because the brand tag still mentions Goodall.
The trousers, however, have a button fly as well as an NRA tag in them, dating them from 1933-1935.
Thankfully for me the material blend and weave didn't really change in the time between when these two pieces were manufactured so they match perfectly.
With so many stains throughout this suit it will be somewhat difficult to clean well. Palm Beach fabric can easily develop dry rot if stored in a hot, dry area and can shred at any attempt to clean it. Oxiclean has been known to also destroy the material as it's a fairly harsh cleaning method. From a couple experts I've talked to, the best bet for cleaning vintage Palm Beach fabric is in soapy water with a mild soap. However, if dry rot has occurred even a gentle hand-wash in soapy water can still shred Palm Beach. Avoid dry cleaning.
Anyone lucky enough to find a good-condition garment made of Palm Beach fabric can attest to its usefulness in the warm summer months. I've thankfully finally joined their ranks with this great suit that, with a little elbow grease, will serve me well.
And just in time for winter...
Labels:
linen,
men's style,
Palm Beach,
rayon,
style,
suit,
summer,
vintage,
wool
Sunday, July 14, 2013
Shiny
These are a blast from the 1960s. I'm not usually a big fan of patent leather; it usually looks like plastic (modern equivalents usually are), creases very easily, and doesn't look right with everything but formal kits.
That said, I love these shoes. The mix of patent leather and leather stamped to look like crocodile skin is perfect. The sleek styling and elegantly rounded toes are also perfect. This is a pair of shoes meant to be worn out on the town with your best getup and your woman on your arm.
Amazing shoes you just don't see very often.
click images to enlarge
That said, I love these shoes. The mix of patent leather and leather stamped to look like crocodile skin is perfect. The sleek styling and elegantly rounded toes are also perfect. This is a pair of shoes meant to be worn out on the town with your best getup and your woman on your arm.
Amazing shoes you just don't see very often.
Labels:
1950s,
1960s,
crocodile,
leather,
men's shoes,
men's style,
patent leather,
shoes,
style,
vintage
Tuesday, April 23, 2013
New Hats at the Houndstooth Haberdashery.
Some new Spring arrivals at the Houndstooth Kid Haberdashery. These hats are in a variety of styles, conditions, and sizes. Sizes range from medium to large.
Here is a taste of what you'll find at the Haberdashery.
click images to enlarge
Wednesday, December 19, 2012
An Intro to Overcoats
This is a topic I've been meaning to discuss for some time now. It's fitting that I post this piece on the day the Midwest is receiving not just a winter storm but a blizzard.
Perfect timing.
Overcoats. What does that word do to you? What pops into your mind when you first hear it? Do you picture an overcoat as being heavy, bulky, stiff and itchy or soft, warm, sleek and comfortable?
The category that is represented by the word 'overcoat' is vast and full of many different styles of coats. So whether you pictured the big, bulky overcoat or the stylish, sleek coat your idea was probably correct, if limited.
Perfect timing.
Overcoats. What does that word do to you? What pops into your mind when you first hear it? Do you picture an overcoat as being heavy, bulky, stiff and itchy or soft, warm, sleek and comfortable?
The category that is represented by the word 'overcoat' is vast and full of many different styles of coats. So whether you pictured the big, bulky overcoat or the stylish, sleek coat your idea was probably correct, if limited.
click images to enlarge
Comparison: the overcoat of the 1940s and a 'modern' one of the late 1950s.
The overcoat is an old garment with one simple goal in mind: keep the wearer warm. Now, that doesn't mean it can't be jazzed up a bit to look stylish, just that the main goal is warmth and that style is secondary. If it succeeds at the latter but fails at the former, well, it makes a poor coat of any kind. The overcoat has its roots in the military with the Greatcoat, hence its utilitarian purpose. But the overcoat would not have survived so long had it not grown to be stylish. From the dull military garment made of rough, thick wool with brass buttons to the stylish and gentlemanly garment of the 1930s, the overcoat has gone through many different rebirths.
Yesteryear the overcoat was a staple of the wardrobe. It provided, obviously, warmth on a cold day and most often looked quite snappy. There were many different and unique styles of overcoats back then, especially during the Golden Era. The late 1920s to the early 1940s was the apogee of overcoat design. The materials, construction, styles, price, and availability of overcoats were all outstanding. Even department stores like J.C. Penney's and Younkers carried interesting and well constructed overcoats back then. The overcoat was a necessity, and a stylish one at that. Every man had one, whether he was a wealthy businessman or politician right down to the homeless man on the street.
No more.
The overcoat of today is not only rare to see in its natural habitat (being worn), it's also boring, rather poorly made, and usually very high priced for what you get. Maybe that's why so few men wear them. When was the last time you saw a modern overcoat with a belted back? A loud yet attractive plaid fabric pattern? Pleating and an impeccable fit? Not today unless you spend $600+ for a made-to-measure or bespoke overcoat. But not many of us can afford something like that.
In the next few posts of this series we'll take an in-depth look at different styles and examples of vintage overcoats and see just what the overcoat was really meant to be: not only warm but also classically stylish.
No more.
The overcoat of today is not only rare to see in its natural habitat (being worn), it's also boring, rather poorly made, and usually very high priced for what you get. Maybe that's why so few men wear them. When was the last time you saw a modern overcoat with a belted back? A loud yet attractive plaid fabric pattern? Pleating and an impeccable fit? Not today unless you spend $600+ for a made-to-measure or bespoke overcoat. But not many of us can afford something like that.
Yawn. Wake me when it at least grows some peaked lapels.
Thursday, November 8, 2012
Penney's Change
Hopefully you've heard by now that J.C. Penney's, now under new management, has dropped its "American Living" brand. Manufactured by Ralph Lauren, American Living was meant to be an affordable choice for chic folks. Reasons for its cancellation include poor sales and questionable quality.
I own several American Lving pieces and have had no issues with quality. Actually, its 'Newsboy' jacket is a perfect copy of a 1930s reversible belted back jacket and is very nice quality. Check out the photos below.
But even with demise the chic and classic though flawed American Living brand and the restructuring of its leadership, J.C. Penney's is still full of classic and even vintage-inspired clothing.
Before the rebranding I was a bit dissatisfied with the suit selection. Narrow lapels, notched lapels, neutered peaked lapels, dark colors, boring fabric patterns, and uninspiring fits dominated the racks. However, now after the rebranding I see more satisfying changes. Yes, while the above list of complaints still does exist it is not as widespread. Becoming more apparent are bolder classic patterns (plaids, windowpanes, houndstooth, etc), cuts, and features.
I was at a smaller Penney's recently and found multiple plaid, windowpane, and other bold patterned sports coats. Most had a 1960s aesthetic going on though a couple looked more from the 1930s.
I really like the suit/sports coat shown here. The silhouette is maybe the best thing about this jacket: pretty good looking dimensions and it fit me well. Labelled as "slim fit", it has a more vintage (shorter) length than most modern jackets, nicely shaped medium width peaked lapels, a ticket pocket, and dual vents. Nicely balanced 1930s aesthetic to my eye. Made by Stafford.
Sorry for the poor quality cellphone photos.
Not easily seen in the above photo is the Prince of Wales check AKA plaid. Really traditional colors and pattern sizing going on. Here's the online link for this jacket.
Unfortunately the matching trousers are still stuck on trendy: low rise, flat front, extreme taper, and no cuffs. Hopefully the trousers will soon swing back towards the traditional like the jackets have.
I rather liked this blue windowpane sports coat. Again, made by Stafford and also labelled "slim fit".
Both jackets are surprisingly made of medium weight material: the plaid sports coat is worsted wool and the windowpane sports coat is tweed-like.
Penney's has a lot more to offer for the budget-minded man looking for classic clothing and suits. Ties, knit wear, and dress shirts looked quite nice and quality-made. The shoe department also showed some positive changes, in my mind.
If you haven't in a while, stop by Penney's and see what you can find.
I own several American Lving pieces and have had no issues with quality. Actually, its 'Newsboy' jacket is a perfect copy of a 1930s reversible belted back jacket and is very nice quality. Check out the photos below.
click images to enlarge
Soft, thick flannel in a classic color and pattern.
Cotton twill on the reverse side.
But even with demise the chic and classic though flawed American Living brand and the restructuring of its leadership, J.C. Penney's is still full of classic and even vintage-inspired clothing.
Before the rebranding I was a bit dissatisfied with the suit selection. Narrow lapels, notched lapels, neutered peaked lapels, dark colors, boring fabric patterns, and uninspiring fits dominated the racks. However, now after the rebranding I see more satisfying changes. Yes, while the above list of complaints still does exist it is not as widespread. Becoming more apparent are bolder classic patterns (plaids, windowpanes, houndstooth, etc), cuts, and features.
I was at a smaller Penney's recently and found multiple plaid, windowpane, and other bold patterned sports coats. Most had a 1960s aesthetic going on though a couple looked more from the 1930s.
I really like the suit/sports coat shown here. The silhouette is maybe the best thing about this jacket: pretty good looking dimensions and it fit me well. Labelled as "slim fit", it has a more vintage (shorter) length than most modern jackets, nicely shaped medium width peaked lapels, a ticket pocket, and dual vents. Nicely balanced 1930s aesthetic to my eye. Made by Stafford.
Sorry for the poor quality cellphone photos.
Not easily seen in the above photo is the Prince of Wales check AKA plaid. Really traditional colors and pattern sizing going on. Here's the online link for this jacket.
Unfortunately the matching trousers are still stuck on trendy: low rise, flat front, extreme taper, and no cuffs. Hopefully the trousers will soon swing back towards the traditional like the jackets have.
I rather liked this blue windowpane sports coat. Again, made by Stafford and also labelled "slim fit".
Both jackets are surprisingly made of medium weight material: the plaid sports coat is worsted wool and the windowpane sports coat is tweed-like.
Penney's has a lot more to offer for the budget-minded man looking for classic clothing and suits. Ties, knit wear, and dress shirts looked quite nice and quality-made. The shoe department also showed some positive changes, in my mind.
If you haven't in a while, stop by Penney's and see what you can find.
Labels:
1930s,
1960s,
cheap,
J.C. Penney's,
men's style,
on the cheap,
Penney's,
sports coat,
style,
suit,
vintage
Thursday, October 18, 2012
Back to the Basics: Proportionality
This may be the most important piece of the puzzle when it comes to the appearance of a suit. A suit can fit the wearer perfectly but if it does not have pleasing proportions then it fails at its main goal: to make the wearer presentable and attractive to the eye.
Throughout history humankind has been trying different styles and pieces of clothing in an attempt to create the most balanced, pleasing look.
If you ask me, humanity reached the pinnacle of proportionality during the 1930s and into the 1940s. There's a reason it's called the 'Golden Era' of men's style.
The human mind is programmed to identify and be attracted to harmonized shapes. One such complex yet ultimate simply proportional shape is the human body. If one is to study its proportions, the shape of the human body, like many other things found in nature, follows elemental natural laws. The Golden Ratio, also known as the "Divine Proportion", has informed artists for centuries as to the ideal attractive proportions to create in their work. Derived from Fibonacci numbers, the Golden Ratio can be found throughout different parts of the human body.
Through the ages the human body has changed very little. Sure, in recent years men tend to be slightly taller and a larger number of men are heavier weight, but the basics are still the same. Check out Vitruvian Man from 1487 below:
The Vitruvian Man was meant to depict ideal male proportions and it is just as useful a tool today as it was so many centuries ago. Notice the vertical half-way point is roughly at the crotch. Above that mark are the hips, torso, and the head. Below that mark are the legs and feet.
Using the Golden Ratio we find that the proportionally attractive separation point of the human body is roughly the navel/waist area. This is an important factor and should be remembered for later.
Other parts of the human body, including the arms and face, are based upon the Golden Ratio.
So, why is the navel/waist area such an important item when it comes to dressing? Because our goal in dressing well should be to present ourselves in an as aesthetically pleasing manner as possible and what better way to do that than to put the Golden Ratio to work?
For example, look at the two photos below.
The photo on the left is of a typical 1930s 3-piece suit while the one on the right is of a typical modern 3-piece suit. The 1930s suit on the left is very well proportioned and attractive to the eye while the modern suit on the right is not.
Let's look at why.
Below is the same photo of the two men with vest, jacket and trouser length and position emphasized. Blue indicates the vest, red the jacket, and yellow the trousers.
Notice how the 1930s suit on the left is based around the navel/waist area: the trousers sit at or about the waist while the vest skirt comes down to just below the waist. The modern suit on the right, however, is based around the crotch area: the trousers hang right on the hips and the vest skirt comes down to just below the hips. In other words, the 1930s suit on the left is based upon the Golden Ratio, giving the wearer the appearance of long legs and an athletic build, while the modern suit on the right is based around the physical halfway point, giving the wearer the appearance of a longer torso and shorter legs: a top-heavy silhouette that is not very flattering on any man.
Also note that the 1930s jacket has stronger shoulders and is slightly shorter in the skirt (a typical vintage drape jacket) than the modern jacket, which is slightly longer and has weaker shoulders. The modern longer jacket length does not help the top-heavy silhouette of the modern suit.
Compare these suits to the Vitruvian Man and the differences become apparent.
In order to have a more attractive appearance when wearing a suit, base your proportions around the Golden Ratio point: the navel/waist. Choose high-waisted trousers that sit at the natural waist, a short vest that comes down to meet the trouser waistband and doesn't let any shirt show between the two, and a suit jacket that's slightly shorter than usual. Meeting these requirements today when most suits are made to be 'hip', fashionable, and/or ironic is a difficult task but not impossible.
It is important for a man to know how to wear a suit and wear it well. A man knows what looks right and how a garment should fit, as he's either been taught how or has come to realize it for himself. He knows and follows the code of timeless style, not fashion. A boy can throw on his father's overly large suit and think himself handsome. That same boy can also slip into one of his own old and much too small suits and perceive himself as being fashionable. The latter of the two seems to be the current fashion trend.
Hopefully soon men will again understand how important proportionality is to appearance and go back to the Golden Ratio Point that was so common during the Golden Era. I'll never understand why we moved away from it.
Throughout history humankind has been trying different styles and pieces of clothing in an attempt to create the most balanced, pleasing look.
click images to enlarge
If you ask me, humanity reached the pinnacle of proportionality during the 1930s and into the 1940s. There's a reason it's called the 'Golden Era' of men's style.
The human mind is programmed to identify and be attracted to harmonized shapes. One such complex yet ultimate simply proportional shape is the human body. If one is to study its proportions, the shape of the human body, like many other things found in nature, follows elemental natural laws. The Golden Ratio, also known as the "Divine Proportion", has informed artists for centuries as to the ideal attractive proportions to create in their work. Derived from Fibonacci numbers, the Golden Ratio can be found throughout different parts of the human body.
Through the ages the human body has changed very little. Sure, in recent years men tend to be slightly taller and a larger number of men are heavier weight, but the basics are still the same. Check out Vitruvian Man from 1487 below:
The Vitruvian Man was meant to depict ideal male proportions and it is just as useful a tool today as it was so many centuries ago. Notice the vertical half-way point is roughly at the crotch. Above that mark are the hips, torso, and the head. Below that mark are the legs and feet.
Using the Golden Ratio we find that the proportionally attractive separation point of the human body is roughly the navel/waist area. This is an important factor and should be remembered for later.
Other parts of the human body, including the arms and face, are based upon the Golden Ratio.
So, why is the navel/waist area such an important item when it comes to dressing? Because our goal in dressing well should be to present ourselves in an as aesthetically pleasing manner as possible and what better way to do that than to put the Golden Ratio to work?
For example, look at the two photos below.
The photo on the left is of a typical 1930s 3-piece suit while the one on the right is of a typical modern 3-piece suit. The 1930s suit on the left is very well proportioned and attractive to the eye while the modern suit on the right is not.
Let's look at why.
Below is the same photo of the two men with vest, jacket and trouser length and position emphasized. Blue indicates the vest, red the jacket, and yellow the trousers.
Notice how the 1930s suit on the left is based around the navel/waist area: the trousers sit at or about the waist while the vest skirt comes down to just below the waist. The modern suit on the right, however, is based around the crotch area: the trousers hang right on the hips and the vest skirt comes down to just below the hips. In other words, the 1930s suit on the left is based upon the Golden Ratio, giving the wearer the appearance of long legs and an athletic build, while the modern suit on the right is based around the physical halfway point, giving the wearer the appearance of a longer torso and shorter legs: a top-heavy silhouette that is not very flattering on any man.
Also note that the 1930s jacket has stronger shoulders and is slightly shorter in the skirt (a typical vintage drape jacket) than the modern jacket, which is slightly longer and has weaker shoulders. The modern longer jacket length does not help the top-heavy silhouette of the modern suit.
Compare these suits to the Vitruvian Man and the differences become apparent.
In order to have a more attractive appearance when wearing a suit, base your proportions around the Golden Ratio point: the navel/waist. Choose high-waisted trousers that sit at the natural waist, a short vest that comes down to meet the trouser waistband and doesn't let any shirt show between the two, and a suit jacket that's slightly shorter than usual. Meeting these requirements today when most suits are made to be 'hip', fashionable, and/or ironic is a difficult task but not impossible.
It is important for a man to know how to wear a suit and wear it well. A man knows what looks right and how a garment should fit, as he's either been taught how or has come to realize it for himself. He knows and follows the code of timeless style, not fashion. A boy can throw on his father's overly large suit and think himself handsome. That same boy can also slip into one of his own old and much too small suits and perceive himself as being fashionable. The latter of the two seems to be the current fashion trend.
Hopefully soon men will again understand how important proportionality is to appearance and go back to the Golden Ratio Point that was so common during the Golden Era. I'll never understand why we moved away from it.
Labels:
basics,
Golden Era,
Golden Ratio,
men's style,
proportional,
proportionality,
silhouette,
style,
suit
Monday, October 8, 2012
Follow the Houndstooth Kid on Pinterest!
Now it's even easier to waste time with the Houndstooth Kid! Follow us on Pinterest and explore old posts with one click of the mouse. Or see where the Kid goes to for style inspiration.
Check out some of those pieces of inspiration below.
Check out some of those pieces of inspiration below.
soft herringbone- link
nice proportions- link
very cool shoes- link
To follow on Pinterest click here or the link button on the menu found on the right.
Friday, October 5, 2012
A Challenge: Walking Advertisement
We've all seen them. We might even be them. Folks who wear logos.
Whether for a music group, video game, or even a political ideology, clothing graphics are everywhere. It seems that in this day and age individuals tend to use their clothing not to give a good impression like in ages past but rather to show everyone else who they like or what they support. Clothing, unfortunately, has become a tool with which to shove a statement into people's faces.
Whether for a music group, video game, or even a political ideology, clothing graphics are everywhere. It seems that in this day and age individuals tend to use their clothing not to give a good impression like in ages past but rather to show everyone else who they like or what they support. Clothing, unfortunately, has become a tool with which to shove a statement into people's faces.


So here's a challenge: for a month, or at least a week, stop being a walking advertisement. Put away your graphic Ts and hoodies, leave them in the closet. Instead, dress to impress; not just those around you but impress yourself. Rather than getting a statement or shock value across to people create something that is pleasant and pleasing to the eye.
Create a piece of wearable art without going all post-modern. It's really an enjoyable experience and broadens style horizons.
Labels:
advertisement,
challenge,
Che,
hoodie,
post-modern,
style,
t-shirt
Sunday, August 28, 2011
WIW: The '70s Weren't All Bad
After a couple weeks of unbearable heat, we've had several weeks of beautiful weather. A little drizzly today but very nice.
Today I broke out the early 1960s/late 1970s linen jacket I've had for a short time. I widened the button stance to improve the proportions and help it fit me better and the sleeves probably needed to be lengthened but it's not a big deal.
The 1970s are seared into our minds for being an awful era for style. Parts of it, however, were not so bad as this classically styled jacket can attest to. Not a lick of polyester is present in the 100% linen material.
The trousers are early 1950s gabardine Hollywood-waist trousers. They go very well with with the linen jacket.
Usually for a summer look I'll wear a blue jacket with cream trousers; today I switched the traditional color scheme, putting cream on top of the blue and creating a striking appearance.
My cute photographer:
Today I broke out the early 1960s/late 1970s linen jacket I've had for a short time. I widened the button stance to improve the proportions and help it fit me better and the sleeves probably needed to be lengthened but it's not a big deal.
The 1970s are seared into our minds for being an awful era for style. Parts of it, however, were not so bad as this classically styled jacket can attest to. Not a lick of polyester is present in the 100% linen material.
The trousers are early 1950s gabardine Hollywood-waist trousers. They go very well with with the linen jacket.
Usually for a summer look I'll wear a blue jacket with cream trousers; today I switched the traditional color scheme, putting cream on top of the blue and creating a striking appearance.
click images to enlarge
My cute photographer:
Wednesday, June 15, 2011
Shoes as Art
Enjoy the following vintage shoes, most pairs being Florsheims with one pair from Crosby Square, arguably the best shoe maker of the time. Another pair is from Freeman, another high quality maker.
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