Thursday, October 30, 2008
Monday, October 27, 2008
Along with this suit I wore the following:
*1930s Mallory fedora
*1930s wool tie
*modern Van Heusen "fitted" shirt
*vintage watch chain with modern Union Pacific watch
*Allen Edmond shoes
Friday, October 24, 2008
Sunday, October 19, 2008
*modern Halston 100% wool suit
*1950s(?) dacron tie
*late-1940s tie bar
*brown AE shoes
click to enlarge
What makes this look, in my opinion, is the tie. The wide stripes and funky colors speak of the Bold Look. It's an oddity, being 100% dacron polyester and while that might turn some people off let me assure you, dacron is not your father's polyester from the 1970s. That topic is for another post.
Wednesday, October 15, 2008
No matter what your political or philosophical view on firearms, I'm sure we all can appreciate the history and beauty of important rifles of the past, such as the WW2 American M-1 Garand (named after its inventor). In this post, we will give this rifle a quick look.
The M-1 Garand was so important during the Second World War because it was a semi-automatic in a war dominated by bolt-action rifles. It was the first semi-automatic battle rifle ever put into major use by a world power.
Bolt-action rifles like the German K98 Mauser, the British Lee Enfield, the Russian Mosin Nagant and the Japanese Type 99 needed to have the bolt manually operated before each round could be fired, giving soldiers decent firepower compared to weapons of the past. But next to the semi-automatic M-1, the bolt-action rifles could not compare. With the M-1, each pull of the trigger released one .30 caliber round without the bolt having to be operated manually. Not only that, but the internal magazine could hold 8 rounds before needing to be reloaded. This gave the American soldier a huge amount of firepower.
To do this the bolt was locked open. While the clip was inserted the bolt would unlock, stripping the first round off the clip. This unlocking, though, created a bit of a problem for the soldier. If the soldier did not get his thumb out of the way of the bolt, it would get slammed and pinched between the bolt and the reciever. This caused excruciating pain, swell the thumb and perhaps make the thumbnail fall off. This badge of honor was called "M-1 thumb" and was in a way a rite of passage. Anyone who 'earned' this experience quickly learned how to avoid it in the future.
Sunday, October 12, 2008
This does not mean a woman cannot look elegant while still being fashionable. However, for these two seemingly opposite things to coexist something must be considered: while elegance is informed by the past and fashion looks to the future, fashion must keep an eye on the past while two feet march into the future. If, infact, fashion has nothing tied to the past we end up with the newest fad that disappears within a year and is forgotten forever. Tradition is important for the fasionable.
Now we return to the style/fashion and male/female relationship. Just as a man and woman are each other's counterpart, style and fashion are inseparable. Say, for instance, a dashing couple entertain a party. The dress is formal, so men wear classic dinner jackets and women wear elegant dresses and fashionable accessories. The stylish male, being tied to the past, is the background for the fashionable female, who is to be the centerpiece of attention. Like a painting, the unchanging background scenery supports and surrounds the bright and stunning center of attention in the foreground. That is the place of the man and the place of the woman.
And while their tasks are so different, the stylish man and the fashionable woman are not opposites. Rather, they compliment one another and bring out the best points of the other's dress.
So males, be timeless and focus on classic style from the past. And females, be classic while also being forwardlooking. The man's job is easy: to be the background for the female. The woman's job is hard: to stand out while not being too loud. A simple and complimentary combiniation will always be successful.
Wednesday, October 1, 2008
So, let's dig into the Duke's closet. The following photos are from Sotheby's catalog of the Duke's estate sale after his passing.
A double breasted navy wool suit with Grenadier (front buttons) and Welsh Guards Officer (sleeve buttons) buttons, worn on the 1936 Nahlin cruise. Jacket by Scholte, London labelled H.R.H. The Prince of Wales 25.4.31 Made of lightweight navy worsted. The matching pair of trousers were made by Forster & Son, London.